Afterlife



—4K digital film
—Edited in real time by self-learning algorithm
—no time (infinitum)
—5.1 surround sound
—2025

[Installation shot at La Panera, 2025]


Locations: Iceland, Norway, Finland, Germany, Spain, Portugal, Japan, China, EEUU, France, Itay, Greece, Faroe Islands. 


AFTERLIFE is a generative audiovisual installation that offers a technological meditation on memory and the perception of the landscape. Landscapes filmed in different locations around the world are handed over to an artificial intelligence that doesn’t simply reproduce them, but dreams, reorganizes, and reinvents them endlessly. 

The landscape thus becomes a suspended organism, sensitive to the presence of the viewer, breathing, mutating, and forgetting, like a memory that cannot be fully fixed. As in Romanticism, the landscape here is not simply nature, but a mirror of human interiority: immeasurable, elusive, profoundly unstable. However, where the Romantic traveler found the abyss of his solitude, the viewer of AFTERLIFE finds a living system: a technological memory that tirelessly rewrites its own past. 

Artificial intelligence, far from freezing the world in a still image, dreams the landscapes, like someone remembering a place that no longer exists. At this intersection of Romanticism and technology, the landscape is no longer a territory, but rather a deep time; no longer an object of contemplation, but a subject of transformation.

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