Timefall



—Accelerated aging environment, cement, dust, plastic pipes, timer, humidity controller, sensors, steam driver 
and LED light.
—No Time
—2022–ongoing

[Installation shot at CaixaForum Madrid, CaixaFroum Barcelona, Galeria Francisco Fino (Lisbon), and La Panera (Lleida)

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Timefall stages time as a material condition. Through a series of programmed environments, the work examines how natural and synthetic bodies decay, remember, mutate and persist. Each tank functions as a microclimate governed by distinct atmospheric variables, producing singular temporalities in which objects transform at unequal speeds.

Rather than presenting stable forms, the installation unfolds as a choreography of acceleration, suspension and collapse. Matter becomes narrative. Sculpture becomes event. What appears fixed is gradually displaced by chemical, organic and environmental forces.

Within these enclosed worlds, organic and synthetic substances merge into unstable entities that resist classification. Engineering, biotechnology and speculative fiction converge, eroding inherited distinctions between nature and artifice, life and residue, presence and afterimage.

Timefall imagines the exhibition space as a zone where objects outlive their own identity, drifting through a dark ecology of continual transformation.
                                                                           
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